Below I have selected certain film openings because of certain features that they each have which I think will work well with ours
During the first few clips, there are many graphic and unrealistic things shown of people getting injured. This exaggerated effect creates humour, as obviously the viewers no its not real so they are able to laugh at what is happening on screen without feeling any guilt or sympathy for the characters being killed. The slow motion sequence of Tugg Speedman (Ben Stiller) running to the helicopter, again amplifies the humour because of not only the facial expressions and the unnatural body language he is making, but the simple fact that he is still alive whist being shot numerous times. The music is key in this scene, as when Tugg is falling to the floor, this already dramatic and funny clip is increased through the emotional music, as you can hear swearing and shooting sounds in the background.
Chuck (opening credits):
Although the opening credits of the TV series: Chuck, is animated and we will not be able to do something as professional as this, I still really like how clearly the themes are presented. Such as the cartoon like freeze frame pictures it shows which lightens the mood and has a childish and playful effect. The overall backing track is very catching and has a good upbeat rhythm which the viewer can almost dance along to, as that is a key component of keeping audience engaged. The music is mixed with familiar action-like sounds such as gun shots, car chase screeches and helicopters along with not so serious sounds like skateboarding, jet-pack whooshes, and laser guns. This varied combination of sound effects help greatly to portray the mix of thriller action chases and amusing scenes.
Chuck (opening scene):
The first scene of Chuck has a similar theme of what we are trying to do, in which there are two characters who contradict each other massively and therefore creating humour. The clip starts with the protagonist Chuck- who introduces another character who he mistakenly thought is an accountant. We are then put straight into a stereotypical action film like scenario with a secret agent of sum sort dressed in a suit with blood stains and glasses, recognizable sounds like alarm breeches and high paced music starts. As the tension increases we are brought back to an ordinary party seen with Chuck, who we get a clearer sense of his character being a stereotypical nerd who is inevitably boring the girl he is talking to through he bad posture and lack of conversational skills. This makes us feel sorry for him yet intrigued by the mysterious Bryce Larkin, who sets a bomb off in the room he is in and proceeds to beat up the guards outside. This parkour sequence is very similar to what we want to do however less violent, the filming style is very steady and smooth and the quick cuts help increase the tension as we focus on the impressive moves he is performing. As the high energy, action packed clip ends with Bryce being shot, we are left with a final clip of the message being sent to Chuck, this leaves the viewer feeling some what worried as whatever was sent must have been very important but is now left in the not so capable hands of Chuck. This comedic ending is what we hope to achieve by showing the keys being left on the floor to leave the viewers with a sense of despair yet a humorous outcome.
The first scene of Chuck has a similar theme of what we are trying to do, in which there are two characters who contradict each other massively and therefore creating humour. The clip starts with the protagonist Chuck- who introduces another character who he mistakenly thought is an accountant. We are then put straight into a stereotypical action film like scenario with a secret agent of sum sort dressed in a suit with blood stains and glasses, recognizable sounds like alarm breeches and high paced music starts. As the tension increases we are brought back to an ordinary party seen with Chuck, who we get a clearer sense of his character being a stereotypical nerd who is inevitably boring the girl he is talking to through he bad posture and lack of conversational skills. This makes us feel sorry for him yet intrigued by the mysterious Bryce Larkin, who sets a bomb off in the room he is in and proceeds to beat up the guards outside. This parkour sequence is very similar to what we want to do however less violent, the filming style is very steady and smooth and the quick cuts help increase the tension as we focus on the impressive moves he is performing. As the high energy, action packed clip ends with Bryce being shot, we are left with a final clip of the message being sent to Chuck, this leaves the viewer feeling some what worried as whatever was sent must have been very important but is now left in the not so capable hands of Chuck. This comedic ending is what we hope to achieve by showing the keys being left on the floor to leave the viewers with a sense of despair yet a humorous outcome.
Even though this is not a film opening, this Snickers advert still shows that it is well made with a very good sense of comedy and style. The setting of China is clear through there outfits and accents, as well as the prominent Kung Fu moves which Mr Bean, a well known comedic actor is failing to perform. Again the theme of characters contrasting each other is present here too as obviously the 3 professional actors are superior in the way that they can flawlessly execute the jumps and flips, whereas Mr Bean struggles to do very simple tasks, and messes up greatly by falling through the roof. At which point the underling message of Snickers' catch line is shown, allowing Mr Bean to transform and become like the other 3 characters. The comedy throughout the scene is not only shown through simply it being Mr Beans famous face, but the fact that the difference between the 2 abilities is evident and is filmed and edited very well that humour is easy created and received well because of the light hearted nature of the ending.
Four Weddings One Funeral:
The first few seconds of this scene is a simple clip of a guy in bed, however when he turns around to see his clock the audience already know that he must be late to something because of his surprised and delayed reaction. Next there are very short shots of the two people hopelessly attempting to get ready as quick as possible, but inevitably almost everything is going wrong for them. The obvious repetition of 'fuck' being said in different tones and voices, allows the audience to relate to those stressful mornings that occur. Throughout this we are still unaware of what they are rushing for or to, but it begins to make sense once they arrive at a church because of the distinct church bells, and people gathering around the entrance. This calmer atmosphere is very different to the one before at home, and it is shown again through the nicely dressed girls getting out of the car, compared to the two characters still failing to put their clothes on at the last minute.
The first few seconds of this scene is a simple clip of a guy in bed, however when he turns around to see his clock the audience already know that he must be late to something because of his surprised and delayed reaction. Next there are very short shots of the two people hopelessly attempting to get ready as quick as possible, but inevitably almost everything is going wrong for them. The obvious repetition of 'fuck' being said in different tones and voices, allows the audience to relate to those stressful mornings that occur. Throughout this we are still unaware of what they are rushing for or to, but it begins to make sense once they arrive at a church because of the distinct church bells, and people gathering around the entrance. This calmer atmosphere is very different to the one before at home, and it is shown again through the nicely dressed girls getting out of the car, compared to the two characters still failing to put their clothes on at the last minute.
A very serious and tense atmosphere is presented through the mise en scene, with elegant clothing, calm forest and people on horses. The music helps set the medieval tone, and the trees rustlingly increase the tension as a dear is shown. A slight giveaway is shown early on, as the two people kneeing down are carrying a basket full of honey- this subtle sign catches the viewers eyes and makes them think what is about to happen, yet subconsciously they already know what will ruin this tense moment. This can link back to our project as we will show a short clip of the keys being lost on the floor near the start so that at the end when they realise they cannot get into their car it will all make sense for the viewer leaving them in wonder and amusement. When the crunch of the cereal is made and the deer is missed, you can see the anger within the shooters face as the two begin shouting "NUTTY!' to each other in an outraged manner. This lightens the mood as you can see what the characters are feeling but, the audience themselves are oblivious to this and just feel the humour from both of the reactions combined.
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